Wednesday, December 3, 2014

Mamachari Kombucha

I’ll admit that I was a little late to the kombucha party, but I’d like to think that I’m making up for it by being extra excited.  For those who aren’t familiar, kombucha is an old beverage with roots in Asia, and it has seen quite a resurgence over the past few years.  It has gotten so popular that even industry giants like Celestial Seasons are in the game.  This is good, in that it generates awareness and whatnot, but let's all buy Mamachari instead.

Anyway, if you’re wondering what all the fuss is about, well, here’s the skinny: kombucha is made by fermenting tea using a symbiotic colony of bacteria and yeast.  If this causes you to raise an eyebrow, fear not- it is both safe and delicious.  It is also available in a number of flavors and formulations-  “concord grape", anybody?  The drink is probiotic in nature, and many health benefits are often associated with it.  Lots of people make kombucha at home these days, but for those of us who occasionally like to enjoy the fruit of someone else’s labors, Mamachari Kombucha is widely available in Salt Lake City.  I recently had the chance to sit down with Christy Jensen, the creative force behind Mamachari, and her story was inspiring.  It also made me really thirsty for more ‘booch.

Christy was introduced to kombucha in college- she attended Utah State in Logan- and she admits to always having been a bit of a tea nerd.  An expert at a health food store recommended kombucha when Christy was feeling under the weather, and she got hooked.  This happened around the time that she was apprenticing with the Crumb Brothers bakery, and the recalls that this was the time of life when she really caught the fermentation bug.  She obtained a SCOBY (the starter referenced above) and quickly had 6 gallons brewing.  About 3 years ago, she started tossing around the idea of starting her own kombucha business- one of the things she thought about was the fact that pretty much every big city has 1-3 kombucha breweries, and that seemed to point to an unfilled niche in Salt Lake City.  After a year of planning, she started up.  As a small businessman myself, I am pretty blown away with how much she’s accomplished; the list of places that carry her products is impressive, and it is still growing.

One of the biggest lessons she’s learned is that people are really supportive and eager to help; her taproom is opening in a few days, and she noted that a ton of volunteer labor has helped to get the place ship shape.  To me, this speaks to the importance of community, and Christy was quick to point out lots of other ways that collaboration adds to the business.  For example, she regularly does joint projects with Vive Juicery and has also crafted a special kombucha featuring Blue Tea from The Queen’s Tea.  Local vegan restaurant Zest offers kombucha cocktails, which I’d like to try.  She also told me about her aspiration to collaborate with a local beer brewer to create a kombucha-infused beer.  This would be a first for Salt Lake City.  I hereby nominate my good pal Kevin Ely at Uinta Brewing.  If you know him, bug him about it.

In terms of Mamachari’s presence in the community, the downtown Farmer’s Markets have provided terrific exposure and sales opportunities since day one.  Christy was shocked by the positive reception at her first market a while back: despite bringing what seemed like a lot of product, she sold out by 10:30am!  I heartily recommend checking out her spot at the Saturday markets this winter- she has a number of different brews on tap so that you can taste a bunch and find your fave.  This is really helpful, because they vary quite a bit, and it is a veritable certainty that you’ll find some to be more appealing than others.  With this in mind, Christy strives to offer a lot of different flavors.  This is directly in support of her mission, which is to create a down-to-earth, organic kombucha for everyone.

I figured there was a cool story behind the company’s name, and I wasn’t disappointed.  Turns out, Christy grew up in Japan, and in Japanese, the word “Mamachari” means “mother’s bicycle”, which is a colloquialism for a sort of everyday, utilitarian bike that is common throughout the country.  This metaphor touches on two things- Christy’s goal to make an accessible “drink for the people”, and also the fact that bikes figure pretty heavily into both the social mission and daily operations of the business.  Christy aims for a business that is as sustainable as possible, and bikes plays a big role.  She makes as many deliveries as possible that way, and she has plans for a new “kombucha bike” which will be buffed out so as to be a fully self-contained serving station that will hold 5-6 kegs and can be pedaled to farmers markets and the like.   Christy has lots of other great plans, too- the taproom has lots of space, which will provide a nice location for some classes on fermentation (sauerkraut, anybody?) in the not-too-distant future.  Her ultimate goal, when I pressed her for her “dream big” ideas was to achieve statewide distribution.  Given how much she’s already accomplished, and how focused and effective she seems to be, I don’t doubt it a bit.  I for one would love to see Mamachari in the hands of everybody that wants it—but I'll be honest: at the moment, I’m mostly glad its about to be in mine.

Also of note:

Mamachari Kombucha’s Taproom (located downtown at 445 S. and 400 W.) is opening on Friday December 5th from 12-8pm

Regular Taproom hours will be Thursday and Friday from 12-7pm

for more info about kombucha, visit

I also suggest visiting for special deals



Thursday, November 20, 2014

Clam Lynch- my favorite painter, and so much more

I met Clam Lynch at the downtown Farmer’s Market this summer when he was hawking his wares, and I was just blown away by his work.  Never before have I been so moved by a set of paintings.  And yes, I realized that’s a big claim, but it is completely true.  I’m enchanted by his bold, energetic style; it is bright and exciting and often really funny.  I haven’t yet decided on which painting to buy first, but its just a matter of time.  Anyway, I like his art so much that I wanted to take a little time to get to know him and try to introduce him to as many other folks as possible.  That’s the name of the game here with this silly little blog of mine- to celebrate the handmade and homegrown any way that I can.

Clam turned out to be quite a character with a really captivating history.  At 15, he left home and joined a performance art group that took him around the world.  At a show in New York City, a fellow from the fledgling Nickelodeon network saw him and brought him to LA.  This served as a springboard to a 12 year career as a Production Designer for film and tv.  He also did his fair share of performing- his one-man comedy show entitled “Cut the Crap” (about a dysfunctional motivational speaker) caught the attention of Rosanne Barr (yes, the Rosanne Barr).  He even went so far as to partner with her production company to develop a tv pilot.  Whew!  He’s also a children’s book author- Ruby Gloom’s Keys to Happiness hit the shelves in 2004.

But, let’s revisit his painting- for the time being, at least.  In San Francisco, he established and operated the 63 Bluxome Street Art Gallery, where he displayed and sold his paintings.  It seems like it was a sweet setup, but ultimately he relocated to Salt Lake on account of some important family ties.  That was 1 1/2 years ago.  He’s been creating art the whole time, and that is how he makes his living, but- wait for it- he has a really big vision for something even greater. 

Clam uses reclaimed materials of all kinds for his paintings and other artworks, and it is exactly the kind of waste-not-want-not value that most of us can easily get behind.  An inveterate scavenger, he has personally kept literally tons of old barnboards and the like out of the landfill.  Now let’s add in the fact that he has taught art classes to kids on and off for more than a dozen years, and voila, you have the essence of the organization that he calls Art Salvage.  He envisions a space full of great recycled materials that artists can purchase for pennies on the dollar, and where kids from the age of 6+ can come to get creative. 

The most robust iteration of his plan includes an attached gallery space so that kids and other artists can display and sell the work they make in-house.  Pretty great, right?  What’s more, this isn’t just a pipe dream- the project has momentum and he’s working side-by-side with a prestigious arts group in Salt Lake to finish up attaining non-profit status for the venture.  His next goal is lining up a space- so if anybody has any thoughts, holler.  I’ve spent plenty of time listening to people spin yarns that you can just tell aren’t going to materialize- heck, sometimes I’ve been the one doing the talking- but this wasn’t one of those bull sessions.  I fully expect to see Art Salvage materialize and do a lot of good for a lot of people in the Salt Lake valley.

So right now, Clam is one busy guy- he’s painting up a storm, and he’s spearheading what will certainly be one of the most exciting arts initiatives in the region that I can imagine.  I encourage any interested parties to visit Clam’s Facebook page for up-to-date info on his paintings and other works of art.

He’s also got a fun website at which showcases a lot of his older performance-related stuff.  If you’re interested in communicating with him about Art Salvage, his paintings, or anything else, find him on Facebook or at

Just for the fun of it, I'll add a couple of more pics below- and in case you're interested, his prices are very reasonable.  And that's coming from a confirmed tightwad.  I've seen pieces that I'd LOVE to own for under $200.  If you want to make my year, you can do it for under $400.  I just built a new fireplace mantle for our home that needs something great to go above it.  Hmmm... 

Monday, October 20, 2014

Yeah, I'm a Cheesy Guy: Where there's a Will there's a Whey

Do I love cheese?  Oh god yes.  I've actually engaged in earnest debates about just how much of one's net worth one might reasonably have tied up in cheese.  Now, I was a lot younger at the time, and my net worth was only in the double digits, but still...

Another great memory:  my wife Michele once went to Spain for work and asked what kind of souvenir I wanted.  I said "cheese," and she came home with an entire wheel of Manchego.  Just thinking back on it makes me want to renew my vows.

A few years later I saw Celia Bell make cheese at home and I was enchanted. Celia's a real inspiration in the Salt Lake grow-your-own-food scene, and  the fact that she had just milked a goat beforehand  to get the milk really sealed the deal.  JEALOUS!

It wasn't long before I had gotten a couple of inexpensive DIY cheese-making kits.  One came from my mother-in-law: nice job, Jan!  The other I purchased in Salt Lake City at the Urban Farm and Feed Store

I decided to try out on of the kits, and it was super easy to use.  It also made a delicious cheese.  Fresh mozzarella with basil, in  this case.

The kit contained everything we needed,
including good directions (whew!)
The only thing we needed was a gallon
 of whole milk.

Abigail and I got after it and it found that it was an ideal project for kids to attempt with their grown-ups: there's a few different things to add, and lots of mindless stirring.

Fresh basil?  Yes please.  It was sort of an
off-the-cuff experiment, but I was actually
surprised by huge difference that it made.  I have since made it without fresh herbs and wasn't
as enthused: I'll always jazz it up from now on.

The moment when the liquid-y milk mixture separates into curds and whey is kind of neat.
All of a sudden, you have something that almost resembles cheese.

After pouring off most of the liquid, we put the
solids into a basket lined with cheesecloth so that it could continue to drain.

The cheesecloth is invaluable in helping to form the fresh mozzarella in to a ball, and to make it easier to squeeze out the remaining moisture.

One gallon of milk made a couple of good-sized
hunks of fresh mozzarella- I didn't weigh them, but it seemed like a great value to me.  And because the kits were so reasonably priced $12-20- and because they contain enough ingredients to make numerous batches, they do make good financial sense.  Not that I was too worried about it, since cheese appropriations make up such a large part of my financial portfolio, anyway.

Wednesday, March 26, 2014

Waltworks Custom Bicycles- sweet frames handmade in Utah

Salt Lake has a pretty great biking culture- we’ve got sweet trails for mountain biking, lots of bike lanes for commuting, and pretty robust cyclocross and road racing scenes.  It is no surprise, then, that we’ve also got some nifty bike-related businesses.  Most of us have a favorite local bike shop, for example, and the Bike Collective offers a ton of great programs that are worth checking out.  And, since I have a deep affinity for all things handmade, I am especially psyched about Walt Wehner’s framebuilding shop.  He’s  been at it for about a decade, and he's got a big following, especially among hard-core mountain bikers.  The funny thing is that not many locals know about him at all.  If you dig bikes, keep reading, and you'll see why he's one of SLC's best kept secrets- and why he probably won't stay that way for long. 

Prior to moving to Salt Lake City two years ago- his wife Sarah took a job doing research at the U, which is coincidentally how I ended up out here, myself- Walt lived in Boulder, Colorado.  His first bike was a 29er, which he crafted back in 2003 or 2004, because he saw great potential in the style.  This was before 29” wheels had exploded into their current level of popularity.  The timing was fortuitous, because only two major companies offered frames for 29ers, and Boulder’s enthusiastic mountain biking community starting asking Walt to build frames.  While he's quick to point out that his early efforts weren't as well-crafted as his later bikes, I bet they were still pretty good- Walt's obviously a pretty modest guy who I'm guessing is his own worst critic.  Over the years, his clients have pushed the limits, and he’s built road bikes with disc brakes, framesets and forks for wheels with through-axles, and more. 

One of Walt’s major areas of expertise is in designing a bike to fit well and handle the way its future rider envisions.   He's got a whole bagful of tricks that he can apply to a bike's geometry, and this helps him to focus first and foremost on performance.  He works with a powder-coating company in Salt Lake City that can provide all kinds of colors and finishes, but he doesn't generally go in for heavily adorned bikes at the expense of poor fit or function.  He told me a story about some of his customers from the endurance-racing side of the mountain biking community: when asked about their choice of color, they flat-out told Walt that they didn't care.  I think that's a pretty apt summary of how well Walt is able to deliver on his promise of performance and handling.   

Walt’s focus on bike fit means that the process of designing a frame calls for a lot of back-and-forth with his clients.  They describe their goals and riding style, and they work together to develop a plan for how to make it happen.  To this end, Walt spends a lot of time on the phone with his clients, and he also maintains a really interesting blog at where he posts work-in-progress shots of his frames so that his clients can see how things are shaping up.  

 Walt has built between 500-600 bikes, which blew me away.  He said it comes down to about 50 per year for his clients, and then as many as 10 more for himself and his family members.  A recent project that I’ve seen him riding around the neighborhood on is a cargo bike with a large cargo platform on the front.  He designed it to be versatile, and it can comfortably fit people from 5’6” to 6’5” without requiring custom geometry.  It sells for $3000-$3500, and I have the feeling that it could get pretty popular.  But then, all of his bikes do- he’s never advertised, and all of his work comes from repeat clients and referrals.  And anybody who knows business can tell you that means he must be doing something right.

Monday, March 10, 2014

Making Sawdust- a quick look at my current projects

Right now, I'm finishing up a custom kitchen for David & Leah, who have undertaken a very ambitious restoration of a great old Victorian house in Salt Lake's Capitol Hill neighborhood.  Or maybe it's the Marmalade District; I've never been clear on where one starts and the other stops.  Either way, its a great 'hood, and it is under 10 minutes away, so that's a real plus.

In addition to the kitchen cabinets, I made the countertops, using reclaimed oak barn boards, the funky blue hutch, and I'm building a large built-in banquette for seating.  I'm also building some cabinets upstairs.  I'll post more later when I have more pics- when the dust settles, I'll get out my good camera instead of just using my phone for some work-in-progress shots.

In addition to the kitchen cabinets, I made the countertops, using reclaimed oak barn boards, the funky blue hutch, and I'm building a large built-in banquette for seating.  I'm also building some cabinets upstairs.  I'll post more later when I have more pics- when the dust settles, I'll get out my good camera instead of just using my phone for some work-in-progress shots.

Anyway, just thought I'd share what's currently keeping me covered in sawdust!

Sunday, March 9, 2014

Tree Branch Wooden Spoons

Got any tree branches lying around your yard?  Sure you do.  If not, its probably just a matter of time.  There's all sorts of stuff you can do with them, depending on your inclination, but one of my favorite projects is using them to make wooden spoons.  I've been pretty obsessed with spoon-making for the past couple of years, so I'm use this post to point out the tricks of the trade.  Using very basic tools that most folks have access to, you can probably make your first spoon in a hour or less.

This year, I decided to institute a new holiday tradition: starting in 2014, I plan to make a wooden spoon (or several) from the trunk of our Christmas tree each January.  I’m all kinds of excited about this, but, of course, you can just use whatever you have on hand, up to and including actual milled boards.  In this case I used a handsaw to cut the trunk into few 12” segments.

 Each spoon will be coaxed out of a blank that roughly resembles a board.  How you make this blank depends on the tools you have on hand.  A bandsaw is ideal, but an axe and chainsaw work too.  

Once you have a blank roughed out, draw the outline of your spoon.  I always draw an oval where I’ll be removing material for the bowl of the spoon, too.
      To cut out the spoon, use a jig saw, bandsaw, or hand-held coping saw with an aggressive blade. 


 I like spoons that look good in profile, too.  I usually go for something curvy and fun.

With the excess cut away from beneath the spoon, it is really starting to shape up.

To hollow out the bowl as quickly and easily as possible I use a large Forstner bit to remove a lot of the material.
To shape the interior of the bowl, I use a nifty little saw that mounts in any drill or Dremel tool.  With a little practice, you’ll quickly get a feel for how to use it.  I suggest starting out slowly if you haven’t used one before.
Because I’m pretty experienced, I can rough out a bowl in just a few minutes.  Even if it takes you twice as long, that’s still pretty fast!
From here on out, the work consists of smoothing things out.  To smooth the interior of the spoon bowl, use sand paper, or follow my lead and use a sanding drum in a drill.  Just make sure to let the sandpaper sleeve hang over the edge of the drum so that it mashes down and creates a rounded edge.
 A belt sander helps if you have one.

And so does a palm sander.